Musica Mia: Italian Experimental Music

Musica Mia, My Music is a little guide to Italian music available in the United States and imported from Italy. We have selected Italian music from Amazon.com featuring CDs from Italy like Festival of Sanremo and Greatest Hits by Italian singers and groups. You will also find a selection of websites that carry Italian MP3 songs and albums as well as iTunes of Italian artists. If you prefer to order directly from Italy, ibs.it will ship your Italian music, movies, books and video games anywhere in the world. We hope you'll enjoy Musica Mia and find it useful, we encourage you to suggest this site to your friends and to include it in your favorite websites. Grazie!

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Italian Experimental Music

Experimental music is a broad, loosely-defined field encompassing musics created by abandoning traditional classical concepts of melody and harmony, and by using the new technology of electronics to create hitherto impossible sounds.
In Italy, one of the first to devote his attention to experimental music was Ferruccio Busoni, whose 1907 publication, Sketch for a New Aesthetic of Music, discussed the use of electrical and other new sounds in future music.
He spoke of his dissatisfaction with the constraints of traditional music: "We have divided the octave into twelve equidistant degrees…and have constructed our instruments in such as way that we can never get in above or below or between them…our ears are no longer capable of hearing anything else… yet Nature created an infinite gradation—infinite! Who still knows it nowadays?"
Similarly, Luigi Russolo, the Italian Futurist painter and composer, wrote of the possibilities of new music in his 1913 manifestoes The Art of Noises and Musica Futurista. He also invented and built instruments such as the intonarumori, mostly percussion, which were used in a precursor to the style known as musique concrète.
One of the most influential events in early 20th century music was the return of Alfredo Casella from France in 1915; Casella founded the Società Italiana di Musica Moderna, which promoted several composers in disparate styles, ranging from experimental to traditional. After a dispute over the value of experimental music in 1923, Casella formed the Corporazione delle Nuove Musiche to promote modern experimental music.
In the 1950s, Luciano Berio experimented with instruments accompanied by electronic sounds on tape. In modern Italy, one important organization that fosters research in avantgarde and electronic music is CEMAT, the Federation of Italian Electroacoustic Music Centers. It was founded in 1996 in Rome and is a member of the CIME, the Confédération Internationale de Musique Electroacoustique.
CEMAT promotes the activities of the “Sonora” project, launched jointly by the Department for Performing Arts, Ministry for Cultural Affairs and the Directorate for Cultural Relations, Ministry for Foreign Affairs with the object of promoting and diffusing Italian contemporary music abroad.